What are the theological implications of today's multicultural world? What does cultural plurality mean for the life and mission of the church? George Hunsberger finds the answers to these and other questions in the missionary theology of Lesslie Newbigin which he brings into clear view in Bearing the Witness of the Spirit.n
What is the role of survivor testimony in Holocaust remembrance? Today such recollections are considered among the most compelling and important historical sources we have, but this has not always been true. In The Era of the Witness, a concise, rigorously argued, and provocative work of cultural and intellectual history, Annette Wieviorka seeks to answer this surpassingly complex question. She analyzes the conditions under which survivor testimonies have been produced, how they have been received over time, and how the testimonies shaped the construction of history and collective memory. Wieviorka discerns three successive phases in the evolution of the roles and images of the Holocaust witness. The first phase is marked by the testimony left by those who did not survive the Holocaust but managed nevertheless to record their experiences. The second, most important, phase is centered on the Eichmann trial, which for Wieviorka is the moment (1961?1962) when a broad cultural deafness to survivors' stories was replaced by the image of the witness as "bearer of history." The author follows the changing nature of the witness into a third phase, which she calls "the era of the witness." Especially concerned with the pedagogical and political uses to which survivor testimony has been put, Wieviorka examines factors that determine when and how survivor testimonies are incorporated into the larger narrative of the Holocaust, according it a privileged place in our understanding. By exploring the ways in which the Holocaust is remembered, The Era of the Witness also deepens our understanding of how testimony can help to define not only twentieth-century history but also more recent episodes of mass killing that are only now "becoming history."
From Monte Carlo to Morocco to Egypt and into Petra, Marwan Accad is pursued by authorities for murders he did not commit. Tracked by advanced intelligence-surveillance technology, his every location is eventually found out, thrusting those he loves into danger. Nurtured by a bitter past that equipped him with what he needed for his company to thrive, Marwan Accad never looks back. Yet the way forward promises only uncertainty, and living each day is a lie in which corruption and greed play in the lives of man. For whose lie is he going through all of this? Even as Marwan races against time to find his pursuers and their motives, he must grapple with what is beyond his life, with what is eternal.
The Bible and its preaching are for every generation urgent and indispensable, but they are especially urgent today. Within the preaching of Elijah and Elisha lie the possibilities and inspiration for the church to recover its voice in a way that is unfettered and unencumbered by old habits. It is the chance, and the responsibility, of this new voice to replicate in the present life of the church alternatives underway in the biblical text itself, to show that life "could be otherwise, " and to make it so. Considering these narratives canonically, Walter Brueggemann shows how the memories of Elijah and Elisha took on a quality and authority of lasting testimony. They exhibit a world profoundly open to the gifts, energies, and visions given by God. Brueggemann shows how such prophetic narratives summon listening Israel to a radical either/or decision, endlessly insisting that there are choices to be made that hold options for the world as otherwise.
“The evocative imagery and ideas revealed in The Witness are not easily forgotten.”—Washington Times “Haunting and beautifully written.”—Independent on Sunday In sixteenth-century Spain, a cabin boy sets sail on a ship bound for the New World. An inland expedition ends in disaster when the group is attacked by Indians. The Witness explores the relationship between existence and description, foreignness and cultural identity. Juan José Saer was born in Argentina in 1937 and is considered one of Argentina's leading writers of the post-Borges generation. He died in 2005.
Landscape artist Josie MacDonald is coming to the end of her stay in Scotland. Whilst out on a painting trip early one morning she witnesses a horrific murder. Mr Mac, the deranged killer, is aware that she has seen him at work and sets out to kill her but Josie manages to escape by plunging desperately into the North Sea. Mr Mac, convinced that she has perished, discovers a few days later that she has survived and sets out to track her down. He follows her to London where he subjects her to terrible psychological torment as one by one her friends are drawn into the nightmare. Josie returns to Scotland in order to discover the truth where her worst fears are realised. With time running out and a killer on the loose she must survive long enough to bring their horrifying ordeal to an end.
Release on 2008-12 | by By The Author Of A. Dissertatio Advent
Author: By The Author Of A. Dissertatio Advent
Pubpsher: BiblioBazaar, LLC
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
In recent years, historical witnessing has emerged as a category of "museum object." Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the "musealization" of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.