The women of Stepford are not all that they seem... All the beautiful people live in idyllic Stepford, Connecticut, an affluent, suburban Eden populated with successful, satisfied hubbies and beautiful, dutiful wives. For Joanna Eberhart, newly arrived with her husband and two children, it all seems too good to be true - from the sweet Welcome Wagon lady to all those cheerful, friendly faces in the supermarket checkout lines. But just beneath the town's flawless surface, something is sordid and wrong - something abominable with roots in the local Men's Association. And it may already be too late for Joanna to save herself from being devoured by Stepford's hideous perfection.
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both ’70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film’s production), Synopsis (summarizing the film’s story), Commentary (analyzing the film from Muir’s perspective), Legacy (noting the rank of especially worthy ’70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film clichés of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
Dinello examines the conflict between the techno-utopia promised by real world scientists and the techno-dystopia predicted by science fiction. The book summarises the current state of each technology, while presenting corresponding reactions in science fiction.
The 1970s tend to be allocated a slender role in American cultural and social history. The essays in Disco Divas reveal that the 1970s, far from being an era of cultural stasis, were a time of great social change, particularly for women.