Following on from its hugely successful first edition, The Photography Reader: History and Theory provides deeper insight into the critical discussions around photography - its production, its uses and its effects. Presenting both the historical ideas and the continuing theoretical debates within photography and photographic study, this second edition contains essays by photographers including Edward Weston and László Moholy-Nagy, and key thinkers such as Walter Benjamin, Roland Barthes and Susan Sontag. Along with its companion text - The Photography Cultures Reader: Representation, Agency and Identity - this is the most comprehensive introduction to photography and photographic criticism. This new edition features: - Over 50 additional photographs - New essays from photographers and academics - Revised introductions, setting ideas and debates in their historical and theoretical context - Sections on Art photography, Documentary and Photomedia. Includes essays by: Jan Baetens, Roland Barthes, Geoffrey Batchen, David Bate, André Bazin, Walter Benjamin, Lynn Berger, Matthew Biro, Osip Brik, Victor Burgin, Hubert Damisch, Edmundo Desnoes, Umberto Eco, Elizabeth Edwards, Steve Edwards, Andy Grundberg, Lisa Henderson, Estelle Jussim, Sarah Kember, Siegfried Kracauer, Rosalind Krauss, Martin Lister, Lev Manovich, Christian Metz, W. J. T. Mitchell, Tina Modotti, László Moholy-Nagy, Wright Morris, Darren Newbury, Daniel Palmer, Marjorie Perloff, Fred Ritchin, Martha Rosler, Steven Skopik, Abigail Solomon-Godeau, Susan Sontag, Lucy Soutter, John Szarkowski, John Tagg, Hilde Van Gelder, Ian Walker, Liz Wells, Edward Weston, Peter Wollen.
This book brings together key writings as well as specially commissioned articles covering a wealth of visual forms including photography, painting, sculpture, fashion, advertising, television, cinema and digital culture. The reader features an introductory section tracing the development of visual culture studies in response to globalization and digital culture, and articles grouped into thematic sections, each prefaced by an introduction by the editor.
Release on 2004 | by Malcolm Miles,Tim Hall,Iain Borden
Author: Malcolm Miles,Tim Hall,Iain Borden
Pubpsher: Psychology Press
Category: Social Science
From Simmel and Burgess, to Zukin, Fainstein and Soja this title presents classic and contemporary writing on the culture of cities. Themes include: culture and technologies; everyday lives; contesting identity; boundaries and transgressions; utopias and dystopias, and possible urban futures.
Release on 2014-01-21 | by Kyung Hyun Kim,Youngmin Choe
Author: Kyung Hyun Kim,Youngmin Choe
Pubpsher: Duke University Press
Category: Social Science
Over the past decade, Korean popular culture has become a global phenomenon. The "Korean Wave" of music, film, television, sports, and cuisine generates significant revenues and cultural pride in South Korea. The Korean Popular Culture Reader provides a timely and essential foundation for the study of "K-pop," relating the contemporary cultural landscape to its historical roots. The essays in this collection reveal the intimate connections of Korean popular culture, or hallyu, to the peninsula's colonial and postcolonial histories, to the nationalist projects of the military dictatorship, and to the neoliberalism of twenty-first-century South Korea. Combining translations of seminal essays by Korean scholars on topics ranging from sports to colonial-era serial fiction with new work by scholars based in fields including literary studies, film and media studies, ethnomusicology, and art history, this collection expertly navigates the social and political dynamics that have shaped Korean cultural production over the past century. Contributors. Jung-hwan Cheon, Michelle Cho, Youngmin Choe, Steven Chung, Katarzyna J. Cwiertka, Stephen Epstein, Olga Fedorenko, Kelly Y. Jeong, Rachael Miyung Joo, Inkyu Kang, Kyu Hyun Kim, Kyung Hyun Kim, Pil Ho Kim, Boduerae Kwon, Regina Yung Lee, Sohl Lee, Jessica Likens, Roald Maliangkay, Youngju Ryu, Hyunjoon Shin, Min-Jung Son, James Turnbull, Travis Workman
The Film Cultures Reader brings together key writings on contemporary cinema by leading authors in cinema and cultural studies. It focuses on film as a social and cultural practice, and on the relationship between cinema and popular culture. The Reader is divided into six thematic sections: understanding film technology film Industries meanings and pleasures identities audiences consumption. The perfect companion to Film as Social Practics, key features of the Reader include the editor's introduction to each thematic section, the focus on contemporary popular cinema and a comprehensive bibliography and resource information.
This seminal text for photography students identifies key debates in photographic theory, stimulates discussion and evaluation of the critical use of photographic images and ways of seeing. This new edition retains the thematic structure and text features of its predecessors but also expands coverage on photojournalism, digital imaging techniques, race and colonialism. The content is updated with additional international and contemporary examples and images throughout and the inclusion of colour photos. Features of this new edition include: *Key concepts and short biographies of major thinkers *Updated international and contemporary case studies and examples *A full glossary of terms, a comprehensive bibliography *Resource information, including guides to public archives and useful websites
Bringing together key writings on art, film, architecture, popular culture, new media and other visual fields, this key reader combines classic texts by leading feminist thinkers with six previously unpublished polemical new pieces. It explores how issues of race, class, nationality and sexuality, enter into debates about feminism, and includes work by feminist critics, artists and activists. Articles are grouped into six thematic sections: * representation * difference * disciplines/strategies * mass culture/media interventions * the body * technology. A valuable reference for students of visual culture and gender studies, this is both a framework within which to understand the shifts in feminist thinking in visual studies and an overview of the most significant feminist theories in this area.
Release on 2004 | by Vanessa R. Schwartz,Jeannene M. Przyblyski
Author: Vanessa R. Schwartz,Jeannene M. Przyblyski
Pubpsher: Psychology Press
The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.
The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field's persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyses the field's histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography's cultural and geopolitical influences; and examines photography's multiple uses and continued changing faces. Each part begins with an introductory text, giving historical contextualization and scholarly orientation. Featuring the work of international experts, and offering diverse examples, insights and discussions of the field's rich historiography, the Handbook provides critical guidance to the most recent research in photography studies.This pioneering and comprehensive volume presents a systematic synopsis of the subject that will be an invaluable resource for photography researchers and students from all disciplinary backgrounds in the arts, humanities and social sciences.