The Merchant Of Venice Bases Its Dramatic Logic On The New Testament Premise That You Get What You Give, And The Play S Consistent Enactment Of This Looking-Glass Logic Creates A World In Which Mirroring Is A Major Internal Principle Of Order. The Indian Philosophy, Distilled In Our Vedas, Puranas And Epics, Speaks In Almost The Same Vein. Shylock Is Cunning, Cruel And Implacable. For Centuries, The Shylocks Of India, In Various Garbs, Have Tried And Succeeded Partially, To Get Their Pounds Of Flesh From Their Victims. Usury Was Condemned In The Elizabethan Period But We, In India, Still Nourish It. Secondly, Shylock S Sense Of Jessica Is Anti-Human As Well As Anti¬Social. He Is Aware Of Her As Of An Item Of Inventory, As Many Father, In India, Do With Their Daughters.Bassanio Must Have Learnt From Shylock S Example: A Wrong, Even A Small One, Is Always A Wrong And Calls Forth Its Own Punishment Automatically, For, As We Shall See, In Dr. Agarwalla S Interpretation Of The Play, The Law Sleeps Only Until Unoffended, When It Reacts By Reflecting The Offence In Kind. The Law Has No Power To Make Anyone Choose To Do Right, It Can Only Punish Those Who Do Wrong. The Prince Of Morocco, Like Any Prince Of Yester-Years, In India, Is Chivalrous, Amorous, Gracious And Sexually Virile. It Was Unkind Of Portia To Say Uncomplimentary Words For Him But She, Like White-Skinned Ladies, Have Always Done So In The Past And Are Doing It, At Present. Thus The Merchant Of Venice Is As Much Relevant To Indians As It Was And Is To The English And To The World, In General. Dr. Shyam S. Agarwalla Gives A New Approach, A New Presentation And A New Direction To The Reading And Critical Analysis Of The Play. At Times, His Critical Examination Of The Play Is Unconventional, Provocative But Nonetheless Educative. That Marks Him Off From Other Indian Editors Of The Merchant.
Release on 2006 | by William Shakespeare,Harold Bloom
Author: William Shakespeare,Harold Bloom
Pubpsher: Yale University Press
In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible—and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio’s flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).
Complements Barron's Shakespeare Made Easy texts or can be used alone. Sets the stage for student comprehension with background material on each play. Builds appreciation for Shakespear's works with thought-provoking reviews.
REA's MAXnotes for Zora Neale Hurston's Mules and Men MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
This study of The Merchant of Venice explores the degree of dramatic integrity Shakespeare achieves by unifying the play's many hard choices through a tightly-knit interplay of contrarieties and correspondences in structure, language, characters and ideas. Engaging the play's extensive body of criticism, the book contextualizes the most provocative questions raised by the day and provides considerable new evidence about Shakespeare's possible sources and his innovative use of them, especially usury and merchantry, Judaism and Christianity, biblical and classical allusion, stage law and verbal-visual symbols.
Release on 2002 | by John W. Mahon,Ellen Macleod Mahon
New Critical Essays
Author: John W. Mahon,Ellen Macleod Mahon
Pubpsher: Psychology Press
Category: Literary Criticism
Four hundred years after its first performance, The Merchant of Venice continues to draw audiences, spark debate, and elicit controversy. This collection of new essays examines the performance and study of Shakespeare's play from a broad range of contemporary critical approaches. The contributors, drawn from four continents, build upon recent scholarship in new historicism, feminism, performance theory, and postcolonial studies to present new perspectives on the play, and offer fresh insights into its critical legacy on stage and as a literary text. A substantial introductory essay provides important historical context and surveys major critical approaches to the play over the centuries. This volume is an essential companion to The Merchant of Venice and a significant contribution to Shakespearean criticism.