P. Craig Russell Library of Opera Adaptations

Vol. 1 - The Magic Flute

P. Craig Russell Library of Opera Adaptations

First paperback edition of this gorgeous graphica adaptation of Mozart's opera, The Magic Flute.

The Magic Flute

The Magic Flute

A complete, newly translated LIBRETTO of Mozart's THE MAGIC FLUTE featuring Music Highlight Examples and German/English translation side-by-side.

The Magic Flute

The Magic Flute

The Black Dog Opera Library is the most popular, informative, and budget-friendly way to enjoy the greatest operas of all time. Each book contains a history of the opera, a synopsis of the story, a complete libretto in its original language as well as in English, dozens of photos, and a world-class Angel/EMI recording of the entire opera on two CDs. It's a must-have for die-hard opera lovers as well as those in need of an introduction to the timeless art form.

The Magic Flute

The Magic Flute

This book demonstrates for the first time that Mozart's opera "Die Zauberflote" is an enactment of the alchemical "opus magnum," in the form of a "chemical wedding," using Paracelsus's "tria principia" doctrine that was strongly prevalent among Freemasons towards the end of the 18th century.

Mozart's the Magic Flute

Die Zauberflote

Mozart's the Magic Flute

A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.

The Magic Flute

The Magic Flute

A dramatization of Mozart's opera about the trials of Prince Tamino in his wooing of Princess Pamina.

The Magic Flute

The Magic Flute

From Caldecott Medalist and New York Times bestselling author-illustrator Chris Raschka comes a gorgeously illustrated retelling of Mozart’s classic opera, The Magic Flute. The Magic Flute is the favorite choice of many opera lovers. But ask any of them to tell you the rambunctious, mystical, and downright oddball story of the opera and no two tellers will agree. Enter Chris Raschka, an opera goer himself. His stunning version of the original plot and the otherworldly events which inspired Mozart’s glorious music showcases his interpretation from the storytelling front curtain at the start, to the radiant finale at the end. Readers will be exclaiming, Bravo!

Moonlight on the Magic Flute

Moonlight on the Magic Flute

The #1 bestselling chapter book series of all time celebrates 25 years with new covers and a new, easy-to-use numbering system! Jack and Annie head to 18th-century Austria, where they must find and help a musician by the name of Mozart. Decked out in the craziest outfits they’ve ever worn—including a wig for Jack and a giant hoopskirt for Annie!—the two siblings search an entire palace to no avail. Their hunt is further hampered by the appearance of a mischievous little boy who is determined to follow them everywhere. But when the boy lets the animals out of the palace zoo, Jack and Annie have to use the only magic at their disposal to save themselves and the naughty little fellow. Formerly numbered as Magic Tree House #41, the title of this book is now Magic Tree House Merlin Mission #13: Moonlight on the Magic Flute. Did you know that there’s a Magic Tree House book for every kid? Magic Tree House: Adventures with Jack and Annie, perfect for readers who are just beginning chapter books Merlin Missions: More challenging adventures for the experienced reader Super Edition: A longer and more dangerous adventure Fact Trackers: Nonfiction companions to your favorite Magic Tree House adventures Have more fun with Jack and Annie at MagicTreeHouse.com!

Which Craft?

W.A. Mozart and the Magic Flute

Which Craft?

The Magic Flute has elicited a wide range of interpretations. From simple fairy tale to Masonic allegory, every meaning seems to have been explored. Yet the mystery remains. Mozart himself was less than helpful, leaving only inconsequential accounts of the work's conception. His untimely death, on December 5th 1791, a couple of months after the premiere has fueled additional controversies. The composer's personal letters, in which The Magic Flute is mentioned, contain mostly trivial reports of first impressions. They describe the reaction of the Viennese public and deal with comments made by contemporary musicians. Antonio Salieri, the Viennese Court's Kappelmeister, was highly supportive. Count Carl von Zinzendorf, a shrewd observer of the local operatic scene, was less than enthusiastic. "The music and the decorations are pretty," he wrote, "the rest an unbelievable farce." He did, however, mention that the crowds were huge. The Magic Flute has always been popular, but does that make it a popular opera? The dramatic vehicle assembled by Mozart is hardly a farce. The Queen of the Night is a witch and Sarastro a Mason - this much is clear, even to the uninitiated. In The Magic Flute they are at odds over Pamina's abduction by Sarastro: a theme thoroughly explored in Greek legends of Persephone. Held captive in the realm of the dead - to which the masonic Temple figuratively corresponds - Persephone stands for the magic powers of generation and renewal that Hades holds hostage in his subterranean kingdom. In the revolutionary climate of 18th century Europe, these powers were again needed for a reseeding of the hidden order. But the hermetic Temple, where the King and Queen reign, is not that easily reconstructed. Genius is not always enough where magic is the intended practice.