Many people are concerned about the unchecked powers of tech giants and the hidden operations of big data and algorithms. Yet we do not have the vocabularies to properly articulate how these digital transformations shape our lives. This book shows how the management of visibilities - our digital footprints - is a central force in the digital transformation of societies and politics. Seen through the prism of digital technologies and data, the lives of people and structuring of organizations take new shapes in our understanding. Making sense of these requires that we push beyond common ways of thinking about transparency and surveillance, and look at how managing visibilities is a central but overlooked force that influences how people live, how organizations work and how societies and politics operate.
Release on | by Agriculture Department, Natural Resources Conservation Service
Author: Agriculture Department, Natural Resources Conservation Service
Pubpsher: Government Printing Office
Department of Agriculture Handbook 296. Issued 2006. Map in pocket measures 28 x 30 in. Revision of "Land Resource Regions and Major Land Resource Areas of the United States" (USDA Handbook 296) published in 1981. Contains currently available information about land as a resource for farming, ranching, forestry, engineering, recreation, and other uses.
This book argues for the inclusion of the corporation as an integral element of political philosophy. It begins with a historical evaluation of the corporation as a constituent of political society. It shows how Adam Smith, Hegel, and Marx conceived the role of the corporation in relation to the state, the market and civil society, before moving on to the rejection of the corporation as a genuine moral and political agent by Rawls and Habermas. The next chapter of the book presents the corporation as a collective that possesses political and moral agency. The author outlines four distinct political philosophies of corporate responsibility: the Aristotelian conservative-virtue ethical conception; the market liberal theory; the social liberal theory of corporate citizenship and political CSR; and Marxist-inspired critical theories. It is argued that the social liberal theory provides a better justification compared to its rivals. The third and final group of chapters applies the social liberal conception – called the social liberal corporation – to important contemporary issues, including human rights in global supply chains, financial and digital firms, sustainability and climate change. Corporate Responsibility and Political Philosophy will appeal to political philosophers, political theorists, and applied ethicists, as well as scholars in other disciplines working on issues related to business ethics, organizational ethics, sustainability and corporate social responsibility. As it provides a comprehensive introduction to corporate responsibility it is also relevant to sustainability professionals who seek an overview of the theoretical debate on corporate responsibility.
'A hidden world filled with high-tech gangsters and drug kingpins and double-crossers and stone-cold hitmen. As fascinating as it is terrifying.’ David Grann, author of Killers of the Flower Moon and The Lost City of Z The Mastermind tells the incredible true story of Paul Le Roux, the frighteningly powerful creator of a 21st Century cartel, and the decade-long global manhunt that finally brought his empire to its knees. From its origins as a prescription drug network, supplying hundreds of millions of dollars’ worth of painkillers to online customers, Le Roux’s business evolved into a sprawling multinational conglomerate engaged in almost every conceivable aspect of criminal mayhem. Yachts carrying $100 million in cocaine. Safe houses in Hong Kong filled with gold bars. Shipments of methamphetamine from North Korea. Weapons deals with Iran. Mercenary armies in Somalia. Teams of hitmen in the Philippines. All tied together with encryption programs so advanced that government agencies could not break them. Tracing Le Roux’s vast wealth and his shadowy henchmen around the world, award-winning journalist Evan Ratliff spent four years piecing together this intricate network. His investigation reveals a tale of ambition and greed, and exposes a new age of international crime in which a reclusive entrepreneur can thrive, combining the ruthlessness of a drug lord with the technological capabilities of a Silicon Valley firm to build an empire in the shadows of our networked world. The result is a riveting, unprecedented account of the most prolific crime boss built by and for the digital age.
What role can the ordinary citizen perform in news reporting? This question goes to the heart of current debates about citizen journalism, one of the most challenging issues confronting the news media today. In this timely and provocative book, Stuart Allan introduces the key concept of ‘citizen witnessing’ in order to rethink familiar assumptions underlying traditional distinctions between the ‘amateur’ and the ‘professional’ journalist. Particular attention is focused on the spontaneous actions of ordinary people – caught-up in crisis events transpiring around them – who feel compelled to participate in the making of news. In bearing witness to what they see, they engage in unique forms of journalistic activity, generating firsthand reportage – eyewitness accounts, video footage, digital photographs, Tweets, blog posts – frequently making a vital contribution to news coverage. Drawing on a wide range of examples to illustrate his argument, Allan considers citizen witnessing as a public service, showing how it can help to reinvigorate journalism’s responsibilities within democratic cultures. This book is required reading for all students of journalism, digital media and society.
This Critical Theory and Contemporary Society volume offers an original analysis of the role of the digital in today's society. It rearticulates critical theory by engaging it with the challenges of the digital revolution to show how the digital is changing the ways in which we lead our politics, societies, economies, media, and even private lives. In particular, the work examines how the enlightenment values embedded within the culture and materiality of digital technology can be used to explain the changes that are occurring across society. Critical Theory and the Digital draws from the critical concepts developed by critical theorists to demonstrate how the digital needs to be understood within a dialectic of potentially democratizing and totalizing technical power. By relating critical theory to aspects of a code-based digital world and the political economy that it leads to, the book introduces the importance of the digital code in the contemporary world to researchers in the field of politics, sociology, globalization and media studies.
Release on 2012-02-07 | by Bruce G. Baldwin,Douglas Goldman,David J Keil,Robert Patterson,Thomas J. Rosatti
Vascular Plants of California
Author: Bruce G. Baldwin,Douglas Goldman,David J Keil,Robert Patterson,Thomas J. Rosatti
Pubpsher: Univ of California Press
The second edition of The Jepson Manual thoroughly updates this acclaimed work, the single most comprehensive resource on California's amazingly diverse flora. This work integrates the latest science, the results of intensive fieldwork, institutional collaboration, and the efforts of hundreds of contributing authors into an essential reference on California's native and naturalized vascular plants. For the first time, the University of California Press is offering this resource as an e-book. The Digital Jepson Manual provides an unparalleled new level of interactivity, portability, and convenience. Extensive linking and e-book–friendly illustrations make it easier for users to learn about plant characteristics and identify the native and naturalized plants of California—all in a format ideally suited for use in the field. Using readily available e-book readers, field researchers, students, and enthusiasts can click on links to rapidly navigate through keys to families, genera, species, and subspecies or varieties. Specific features of The Digital Jepson Manual include the following: —Keys link forward and backward to other taxonomic levels. —Plate references in taxonomic treatments link to plates for rapid reference. —Plate captions link to taxonomic treatments. —Individual taxon figures appear next to species descriptions, and full plates are gathered in a special section. —Glossary terms link to any relevant illustrations. —List of families links each family to its taxonomic treatment. —Index is fully linked to taxonomic treatments.
Focusing exclusively on light modifiers and making the most of the least equipment, this in-depth handbook is ideal for use by the beginner and advanced amateurs who wish to take their photography to the next level. Including diagrams and lighting set scenes to facilitate learning and adapting technique, step-by-step critiques of several portrait sessions, and an extensive review of a variety of light modifying tools—from barn doors and snoots to gels, umbrellas, and strip boxes—this invaluable textbook style book reveals the precise steps for obtaining dimension and depth for indoor and outdoor portrait sessions. This resource is a must-have for beginner photographers looking to discover a treasure trove of fresh, creative lighting inspiration, that will surely help add diversity and creative style to your photography
The Digital Musician is a textbook for creative music technology and electronic music courses. It provides an overview of sound properties, acoustics, digital music, and sound design as a basis for understanding the compositional possibilities that new music technologies allow. Creative projects allow students to apply key concepts covered in each chapter. Topics covered include hardware hacking, live coding, interactive music, sound manipulation and transformation, software instruments, networked performance, as well as critical listening and analysis. Features Readers Guides outline the major topics in each chapter Project boxes for both individuals and groups throughout each chapter Annotated Listening Lists for each chapter, with accompanying playlists on the companion website Recommended Further Reading and Discussion Questions at the end of each chapter Case studies of actual composers, with contributed projects Companion website includes reading lists, links to audio and video, and slides for use in the classroom.
Conversations with 21st Century American Composers
Author: Robert Raines
Pubpsher: Oxford University Press
American composers are at the forefront of a renaissance in concert music, in the process expanding the very definition of the category. The impact of digital technology on the creative process and the unprecedented diversity of contemporary composers are arguably among the catalysts driving the rebirth. In this series of personal interviews with some of the most prominent composers of art music currently working on the American music scene, composer and educator Robert Raines leads the intimate conversations through subjects ranging from the source of inspiration to work habits, the realities of the business of music, and the impact of technology on music and life in the 21st century. The musicians who participated in these conversations are as different from one another as might be imagined, both in styles of music and approaches to life and art, resulting in a series of stories that offer a kaleidoscopic view of the many paths to creativity, yet a common thread that runs through the interviews is the passionate artistic drive that is shared by all. The inspirational stories of struggles and successes, told in the artists' own words and distinctively framed by their individual personalities - humorous, curmudgeonly, serious, serene, and playful by turns - is a delightful and thought-provoking journey full of personal insights, advice, and sharp observations on composing music in a changing, technology-driven world. A loving homage to the artistic spirit, this book is a must-read for students of composition, professors and scholars of music, composers and aspiring composers, and anyone interested in the subjective process of writing music. This rich and entertaining collection provides a unique glimpse into the workings of the creative spirit in the digital age.