"A fascinating close-up of Mr. Strasberg's philosophy of theatre and method of working with actors."--Eliot Fremont-Smith, The New York Times Unavailable for over fifteen years, these transcripts of Strasberg's private acting classes provide a revealing look at one of the nation's most famous acting schools and its controversial leader.
The Washington Senators have a special place in baseball history as one of the most unsuccessful teams ever to play the game. The Nats (as headline writers had dubbed them by midcentury) got their start in 1901 thanks to Byron Bancroft "Ban" Johnson and endured 71 up-and-down seasons in the American League, which was created at the same time as the Washington ballclub. This huge work exhaustively chronicles the capricious history of the Washington Senators from the beginning to the end in 1971, with detailed information on the management and players who kept the organization going in good and bad times. Insights on how the team fit into the American League as well as statistics covering the team's records throughout its existence and the lifetime records of all members of the Baseball Hall of Fame who played with the Washington Senators are also provided.
Theatrical Realism is an American Film movement of the 1950s noted for its high aspirations – to create a significant 'art' cinema. Ironically, the films that comprise this movement are virtually forgotten today. Theatrical Realism is Hollywood's continuation of the Italian Neo-Realist movement. It was a direct result of the confluence of “Method Acting” as taught by Lee Strasberg at the Actors Studio, the screen adaptations of plays by Tennessee Williams, Arthur Miller and William Inge, and the Golden Age of Television.
Release on 2001 | by Jackson R. Bryer,Richard Allan Davison
Conversations with Contemporary American Stage Performers
Author: Jackson R. Bryer,Richard Allan Davison
Pubpsher: Rutgers University Press
Category: Performing Arts
Biographies are so much more than lists of teachers, roles, and awards. The Actor's Art conveys stories about numerous productions, insight about becoming and being an actor, and opinions about issues such as color-blind casting and the future of theatre. Together, these conversations form lively, thought-provoking sketches of such stars as Hume Cronyn and Jessica Tandy, Ruby Dee, Julie Harris, Cherry Jones, James Earl Jones, Stacy Keach, Nathan Lane, and Jason Robards. The Actor's Art demonstrates the value of listening, and the pleasures of reading.
Over the years there has been much controversy and confusion about the true nature of The Actors Studio, a secluded workshop in New York City that for decades has had a marked influence on the stage and screen and yet functions like a secret society behind closed doors. It all began when Stanislavsky's Moscow Art Theater brought its brand of "realism" to the United States in 1923. The legendary Group Theater of the 1930s followed. Then came the creation of a studio workshop incorporating the provocative acting and directing techniques of Elia Kazan, and the emergence of Lee Strasberg as Studio head following Kazan's departure. Strasberg's background and the encounters between him and the actors he guided are presented in detail. The lives and careers of early icons like Marlon Brando, Montgomery Clift, Marilyn Monroe and James Dean are examined. Also covered are a progressive trans-Atlantic view of the subject, the Studio's short-lived efforts to form a world-class production company in the 1960s, and a later set of transitions leading to an altered image of the Studio and a change of venue for the 21st century. Such luminaries as these (and many more) have been associated with the Actors Studio: Edward Albee, Lauren Bacall, Glenn Close, Robert DeNiro, Robert Duvall, Danny Glover, Julie Harris, Dustin Hoffman, Dennis Hopper, Jack Lemmon, Shirley MacLaine, Steve McQueen, Paul Newman, Mike Nichols, Al Pacino, Julia Roberts, Eva Marie Saint, Neil Simon, Steven Spielberg, Sylvester Stallone, Rod Steiger, Meryl Streep, Eli Wallach, and Tennessee Williams.
One of Hollywood's biggest personalities, Bruce Dern is not afraid to say what he thinks. He has left an indelible mark on numerous projects, from critically acclaimed films to made-for-TV movies and television series. His notable credits include The Great Gatsby (1974), The 'Burbs (1989), Monster (2003), Django Unchained (2012), and Nebraska (2013), for which he won the Best Actor award at the 2013 Cannes Film Festival. He also earned Oscar nominations for Best Supporting Actor in Coming Home (1978) and for Best Actor in Nebraska (2013). In Bruce Dern: A Memoir, Christopher Fryer and Robert Crane help the outspoken star frame the fascinating tale of his life in Hollywood. Dern details the challenges he faced as an artist in a cutthroat business, his struggle against typecasting, and his thoughts on and relationships with other big names in the industry, including Elia Kazan, Alfred Hitchcock, Jack Nicholson, Paul Newman, Bob Dylan, Matt Damon, Jane Fonda, John Wayne, and Tom Hanks. He also explores the impact of his fame on his family and discusses his unique relationship with his daughter, actress Laura Dern. Edgy and uncensored, this memoir takes readers on a wild ride, offering an insider's view of the last fifty years in Hollywood.