Crossing the Stage brings together for the first time essays which explore cross-dressing in theatre, cabaret, opera and dance. The volume contains seminal pieces which have become standard texts in the field, as well as new work especially commissioned from leading writers on performance. Crossing the Stage is an indispensable sourcebook on theatrical cross-dressing. It will be essential reading for all those interested in performance and the representation of gender.
Evidence from Records of Early English Drama, social, literary and cultural sources are drawn together in order to investigate how performances within the late Middle Ages were both shaped by, and shaped, the public image of women."--BOOK JACKET.
"Advanced Tribology" is the proceedings of the 5th China International Symposium on Tribology (held every four years) and the 1st International Tribology Symposium of IFToMM, held in Beijing 24th-27th September 2008. It contains seven parts: lubrication; friction and wear; micro/nano-tribology; tribology of coatings, surface and interface; biotribology; tribo-chemistry; industry tribology. The book reflects the recent progress in the fields such as lubrication, friction and wear, coatings, and precision manufacture etc. in the world. The book is intended for researchers, engineers and graduate students in the field of tribology, lubrication, mechanical production and industrial design. The editors Jianbin Luo, Yonggang Meng, Tianmin Shao and Qian Zhao are all the professors at the State Key Lab of Tribology, Tsinghua University, Beijing.
Release on 2002-05-01 | by Emily Mann,David Roessel
Plays That Shaped a Century
Author: Emily Mann,David Roessel
Pubpsher: Hal Leonard Corporation
Category: Performing Arts
(Applause Books). Warning: The plays of Political Stages do not make for a quiet evening of theatre. These are the plays which got audiences out of their seats, and sometimes out into the streets. Their words and ideas rumbled ominously down the marble hallways of legislatures and challenged, even threatened, and often changed, the thinking of millions. These are the plays which either lit or reflected the fires of those political controversies which blazed across the American Twentieth Century. Individually, each is a molotov cocktail tossed onto the stage, each a political movement encapsulated in dramatic form. Combined, they constitute both a conflagration and a record of American political and theatrical ideology. Never before, however, have they been collected in one explosive volume. In Political Stages , they have at last been preserved, ever ready to serve at the barricades of subsequent eras. Includes works by Tennessee Williams, Emily Mann, Clifford Odets, Langston Hughes, and others.
Addresses the ways that theatre both shapes cross-cultural dialogue and is itself, in turn, shaped by those forces. Globalization may strike many as a phenomenon of our own historical moment, but it is truly as old as civilization: we need only look to the ancient Silk Road linking the Far East to the Mediterranean in order to find some of the earliest recorded impacts of people and goods crossing borders. Yet, in the current cultural moment, tensions are high due to increased migration, economic unpredictability, complicated acts of local and global terror, and heightened political divisions all over the world. Thus globalization seems new and a threat to our ways of life, to our nations, and to our cultures. In what ways have theatre practitioners, educators, and scholars worked to support cross-cultural dialogue historically? And in what ways might theatre embrace the complexities and contradictions inherent in any meaningful exchange? The essays in Theatre Symposium, Volume 25 reflect on these questions. Featured in Theatre Symposium, Volume 25“Theatre as Cultural Exchange: Stages and Studios of Learning” by Anita Gonzalez“Certain Kinds of Dances Used among Them: An Initial Inquiry into Colonial Spanish Encounters with the Areytos of the Taíno in Puerto Rico” by E. Bert Wallace“Gertrude Hoffmann’s Lawful Piracy: ‘A Vision of Salome’ and the Russian Season as Transatlantic Production Impersonations” by Sunny Stalter-Pace“Greasing the Global: Princess Lotus Blossom and the Fabrication of the ‘Orient’ to Pitch Products in the American Medicine Show” by Chase Bringardner“Dismembering Tennessee Williams: The Global Context of Lee Breuer’s A Streetcar Named Desire” by Daniel Ciba“Transformative Cross-Cultural Dialogue in Prague: Americans Creating Czech History Plays” by Karen Berman“Finding Common Ground: Lessac Training across Cultures” by Erica Tobolski and Deborah A. Kinghorn
China has over three hundred distinct styles of music drama, from exorcism theatre to farce, historical romance, and shadow puppetry. This study considers one of the newer operatic forms. Established just two centuries ago, huju (Shanghai opera), is renowned for its portrayal of ordinary people, not the emperors, courtesans, and heroes of older forms. Acting and make-up aim for realism rather than symbolism, and stories deal with contemporaneous themes: the struggles of lovers to marry, women's rights after the Communist revolution (1949), and life under the new social order established by Deng Xiaoping's reforms in the 1980s. Music ranges from local folksong to syncretic adoptions of Western popular music. Jonathan Stock is an authority on Chinese music, with previous books on Chinese flute and violin solos and Abing, a twentieth-century composer. Adding to his extensive research on Chinese music, Stock's eighteen months of fieldwork in Shanghai allows him to interweave material from historical reports, sound recordings, live performance, and the first-hand accounts of three generations of singers into a study of a unique Chinese opera form seen equally as historical tradition, venue for social action, and forum for musical creativity. Assessing first the roots of huju in local folksong and ballad, he looks at the enduring role of emotional expressivity. He next focuses on the rise of actresses, laying out a specially 'musical' reading of gendered performance. Further chapters reverse conventional ethnomusicological arguments that music constructs place by looking at how Shanghai's institutions before 1949 shaped the environment within which troupes developed new dramatic materials and competed for work. In considering reforms post-1949, the author shows how the infusion of explicit political content actually weakened the expressive impact of these dramas. Finally, developments since 1980 are reviewed. The book includes songs and illustrations of performance styles. An innovative combination of urban and historical ethnomusicology, the book's findings will engage the historian of China and general scholar of music alike.
TRB' National Cooperative Highway Research Program (NCHRP) Report 674: Crossing Solutions at Roundabouts and Channelized Turn Lanes for Pedestrians with Vision Disabilities explores information related to establishing safe crossings at roundabouts and channelized turn lanes for pedestrians with vision disabilities. Appendices B through N to NCHRP Report 674 were published as NCHRP Web-Only Document 160.
Passing the Baton of Light is the unique and unusual story of one woman who went from wearing the robes of a stripper to those of a respected member of the clergy. This is a book about God’s light and the lure of Hollywood’s spotlight. Beverly Powers’ past reads like fiction, but her credentials speak for themselves. From three Elvis Presley movies, to dozens of Red Skelton Shows, to portraying herself in Breakfast at Tiffany’s with Audrey Hepburn, Beverly’s life is a world of dichotomies. Passing the Baton of Light is a story of a family tree filled with rotten fruit, thorns and weeds: the abuse; betrayals; choices… and the consequences. This book is filled with tell-all accounts of how one woman fought to bring light to herself and the darkened world she was born into. This is a true story of miracles; of love between two teenagers who grow old together; a mother who struggles to save her prodigal son; and a praying grandmother who refused to let Satan have his way with her family; and the Heavenly Father who loved them all. Explore and learn with Beverly as she stumbles into her future not knowing where she is headed. Beverly’s life brings dignity to the meaning of God’s grace.