Best known as the composer of such hits as Dionne Warwick's "Walk On By," Dusty Springfield's "The Look of Love," and the Carpenters' "Close to You," Burt Bacharach wrote the music for over 700 published songs and has been recorded by some 2,000 artists - from Frank Sinatra and Elvis Presley to the Beatles and the Supremes. Song By Song is a witty, cheeky song-by-song journey through Bacharach's vast recorded oeuvre, from Nat "King" Cole's little-known 1952 version of 'Once in a Blue Moon" to Burt's recent collaborations with Elvis Costello, Lyle Lovett and Chicago.
This masterful survey covers all genres of popular music, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists.
Tenor Sax : 20 Great Songs to Play With Orchestral Accompaniment Cd
Author: Tony Esposito
Pubpsher: Warner Bros Publications
Twenty great songs from this brilliant pop songwriter. Titles include: Alfie * Close to You * Do You Know the Way to San Jose? * I Say a Little Prayer * I'll Never Fall in Love Again * The Look of Love * One Less Bell to Answer * Raindrops Keep Fallin' on My Head * That's What Friends Are For * Walk on By and more.
The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.
'Walk on by', 'I say a little prayer', 'What the world needs now is love', 'Raindrops keep fallin' on my head', 'Alfie', 'What's new, Pussycat?'... The songwriting team of Burt Bacharach and Hal David ruled the charts in the '60s, and their songs are still as popular as ever. Current artists such as Oasis, Barenaked Ladies, Elvis Costello and Ben Folds have revisited the Bacharach/David songbook, and their songs have been prominently featured in such hit movies as 'Austin Powers', 'My best friend's wedding' and 'The first wives club'. In 'Burt Bacharach & Hal David - What the world needs now' author Robin Platts draws on archival research and his own interviews with Bacharach and David (and those who worked with them) to create an in-depth look at the duo's career. Platts tells the whole story of their songwriting partnership - from their first collaborations in the '50s through the massive successes of the '60s to their split in the early '70s and their brief reunions in the '90s. There is also coverage of the recent revival of interest in the Bacharach/David songbook, and the many contemporary artists who have been influenced by them and have recorded their songs. The book includes photos of vintage record sleeves, a detailed discography, chart information and a complete annotated list of every song Bacharach and David wrote together.
What defines pop music? Why do we consider some styles as easier listening than others? Arranged in three parts: Aesthetics and Authenticity - Groove, Sampling and Industry - Subjectivity, Ethnicity and Politics, this collection of essays by a group of international scholars deals with these questions in diverse ways. This volume prepares the reader for the debates around pop's intricate historical, aesthetic and cultural roots. The intellectual perspectives on offer present the interdisciplinary aspects of studying music and, spanning more than twenty-five years, these essays form a snapshot of some of the authorial voices that have shaped the specific subject matter of pop criticism within the broader field of popular music studies. A common thread running through these essays is the topic of interpretation and its relation to conceptions of musicality, subjectivity and aesthetics. The principle aim of this collection is to demonstrate that pop music needs to be evaluated on its own terms within the cultural contexts that make it meaningful.
Burt Bacharach is one of the most celebrated and legendary song-writers of the twentieth century. Throughout his sixty year career he has worked with artists from Dionne Warwick to Dr Dre, Marlene Dietrich to Elvis Costello. Anyone Who Had a Heart is the story of one of the greatest song writers of all time. It traces for the first time in his own words, the life and times of the man who created the music that has become the sound track for the lives of his millions of devoted fans all over the world. Bacharach's songs include: 'Magic Moments' - Perry Como, ' Baby It's You' - The Shirelles / The Beatles, 'Please Stay' - The Drifters / Marc Almond, 'Wishin' and Hopin'' - Dionne Warwick / Dusty Springfield / Ani DiFranco, 'Walk On By' - Dionne Warwick / The Stranglers, 'I Just Don't Know What to Do with Myself' - Dusty Springfield / The White Stripes, '(There's) Always Something There to Remind Me' - Sandie Shaw, 'A Message to Martha' - Adam Faith, 'What's New Pussycat?' - Tom Jones, 'Trains and Boats and Planes' - Billy J. Kramer & the Dakotas, 'Alfie' - Cilla Black / Cher / Rumer, 'I Say a Little Prayer' - Dionne Warwick / Aretha Franklin, 'Do You Know the Way to San Jose?' - Dionne Warwick, 'Raindrops Keep Fallin' on My Head' - B.J. Thomas / Sacha Distel / Johnny Mathis, 'I'll Never Fall in Love Again' - Bobby Gentry, 'Arthur's Theme (Best That You Can Do)' - Burt Bacharach / Barry Manilow / Shirley Bassey.
The song I Say a Little Prayer for You, famously sung by Aretha Franklin and Dionne Warwick among others, is one of the greatest soul songs ever. Created by Burt Bacharach and Hal David, both the words and the music of this song have been celebrated over the world.
In July 1934, Walter Brown went alone to the woodland pond. He saw his girl swimming there. He watched her floating and saw how white her skin was in the green water, her belly, her breasts, her pond-tangled hair. Then she turned over like an otter and dived down. She did not come up again. In July 1969, Sean Matthews finds himself in the very same woodland, where he witnesses an event he later cannot bear to remember. Two boys, growing up in the same village thirty-five years apart, have each seen something they shouldn't. Hailed by Salman Rushie on the publication of her first novel, Pop, Cryers Hill confirms Kitty Aldridge as a writer of immense talent, possessing the rare gift of enabling us to see the world anew.