Artaud and His Doubles

Artaud and His Doubles

DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div

The Theater and Its Double

The Theater and Its Double

A collection of manifestos originally published in 1938, in which the French artist and philosopher attacks conventional assumptions about the drama, and calls for the influx of irrational material - based on dreams, religion, and emotion - in order to make the theater vital for modern audiences.

The Early Modern Theatre of Cruelty and its Doubles

Artaud and Influence

The Early Modern Theatre of Cruelty and its Doubles

This book examines the influence of the early modern period on Antonin Artaud’s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud’s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama.

Theatre and Interculturalism

Theatre and Interculturalism

How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures? Interculturalism is an increasingly urgent topic in the 21st century. As human traffic between nations increases, it becomes imperative to critically re-examine the way cultural exchange is performed. Theatre& Interculturalism surveys established approaches and asks what it would mean to reconsider intercultural performance, not from the points of view of the colonizing cultures, but 'from below'- from the viewpoints of the historically colonized and marginalized.

Collected Works

Collected Works

Drama. This important volume of "Collected Works" includes one of Artaud's most seminal texts, Theatre and Its Double, and his play The Cenci. Also included are appendices, copious notes and his essay "Seraphim's Theater". The Theatre and Its Double, published here in its entirety, remains one of the most radical texts on performance in print today. The lesser-known "Seraphim's Theater" outlines an actor's application of the Taoist principles of fullness and emptiness, and has provided inspiration to actors and directors in experimental and non-naturalistic areas of the theater. The Cenci remains a landmark in twentieth-century theater as an early production of the "theatre of cruelty".

Avant-Garde Theatre Sound

Staging Sonic Modernity

Avant-Garde Theatre Sound

Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.

Artaud on Theatre

Artaud on Theatre

One of the great daring mapmakers. --Susan Sontag

Theology and Literature after Postmodernity

Theology and Literature after Postmodernity

This volume deploys theology in a reconstructive approach to contemporary literary criticism, to validate and exemplify theological readings of literary texts as a creative exercise. It engages in a dialogue with interdisciplinary approaches to literature in which theology is alert and responsive to the challenges following postmodernism and postmodern literary criticism. It demonstrates the scope and explanatory power of theological readings across various texts and literary genres. Theology and Literature after Postmodernity explores a reconstructive approach to reading and literary study in the university setting, with contributions from interdisciplinary scholars worldwide.