This book offers a unique interdisciplinary challenge to assumptions about animals and animality deeply embedded in our own ways of thought, and at the same time exposes highly sensitive and largely unexplored aspects of the understanding of our common humanity.
From the pet that we live with and care for, to news items such as animal cloning, and the use of various creatures in film, television and advertising, animals are a constant presence in our lives. Animal is a timely overview of the many ways in which we live with animals, and assesses many of the paradoxes of our relationships with them: for example, why is the pet that sits by the dinner table never for eating? Examining novels such as Charlotte’s Web, films such as Old Yeller and Babe, science and advertising, fashion and philosophy, Animal also evaluates the ways in which we think about animals and challenges a number of the assumptions we hold. Why is it, for example, that animals are such a constant presence in children’s literature? And what does it mean to wear fake fur? Is fake fur an ethical avoidance of animal suffering, or merely a sanitized version of the unacceptable use of animals as clothing? Neither evangelical nor proselytizing, Animal invites the reader to think beyond the boundaries of a subject that has a direct effect on our day-to-day lives.
A Leading Scientist Explores Animal Joy, Sorrow, and Empathy — and Why They Matter
Author: Marc Bekoff
Pubpsher: New World Library
Based on award-winning scientist Marc Bekoff’s years studying social communication in a wide range of species, this important book shows that animals have rich emotional lives. Bekoff skillfully blends extraordinary stories of animal joy, empathy, grief, embarrassment, anger, and love with the latest scientific research confirming the existence of emotions that common sense and experience have long implied. Filled with Bekoff’s light humor and touching stories, The Emotional Lives of Animals is a clarion call for reassessing both how we view animals and how we treat them.
Release on 1999-10-28 | by Herbert W. Ockerman,Conly L. Hansen
Author: Herbert W. Ockerman,Conly L. Hansen
Pubpsher: CRC Press
Category: Technology & Engineering
This new edition of a well-respected reference brings together, in one place, information on the entire field of animal by-products processing and utilization. The book's contents cover both edible and non-edible products, by-products of seafood and poultry in addition to red meat, medicinal and pharmaceutical processing and utilization of animal by-products, and animal product waste disposal, processing, reduction and utilization. Particular attention has been paid to new products for the rendering industry, and to concerns over new animal diseases, which might well be transferred by feeding low-temperature rendered products to animals.
The definitive visual guide to the world's wildlife Go on an amazing visual journey through the animal kingdom with Animal and find out all about over 2,000 species from tiny elephant shrews to great baleen whales. Written by a team of over 70 zoologists and naturalists from around the globe the book has sold over one million copies worldwide and the new edition has been fully revised and updated to reflect changes in the animal world. As well as important updates on the distribution, population and conservation status of many animal groups this new edition includes more breathtaking photography and 50 new species that have been discovered since Animal was first published 10 years ago. Such exciting creatures as the tube-nosed bat, ghost slug and the remarkable yeti lobster are now featured to name just a few. Perfect for all the family, essential for nature students and conservationists everywhere - Animal is a classic for a new generation. The book's beautiful flocked cover, made to look just like a real zebra, also makes it the perfect gift.
The world in What Animal is filled with uncontainable data, a rush of experiences tumbling one after the other, experiences whose logic is only that they have happened, or cannot be determined as having happened or not. Images--often spliced together in rapid succession, each with a distinct complex of emotional and associative content--operate in "rhymes" of shape, sound, capacity for motion, texture, and number. Image patterns, sound patterns, syntactical shifts, and physical spaces recur in different forms and combinations, as if, could we only comprehend, the patterns would add up to something of galactic, even infinite, dimension.
The Animal That Therefore I Am is the long-awaited translation of the complete text of Jacques Derrida’s ten-hour address to the 1997 Cérisy conference entitled “The Autobiographical Animal,” the third of four such colloquia on his work. The book was assembled posthumously on the basis of two published sections, one written and recorded session, and one informal recorded session. The book is at once an affectionate look back over the multiple roles played by animals in Derrida’s work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction—dating from Descartes—between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single “the animal.” Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses to the question in the work of each of them. The book’s autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida’s experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of “man’s dominion over the beasts” and trace a history of how man has systematically displaced onto the animal his own failings or bêtises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of “life” to which he returned in much of his later work.